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⏲ Duration: 1 min 50 sec
✓ Published: 30-Apr-2013
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Finally my 2nd Calarts film is completed! It feels really great to make a more personal film this year, now that I know the ropes of filmmaking a bit better. I wanted to make something that focuses on how meaningful it is to make food for someone you love. My family's lives practically revolve around cooking for each other, so it's a theme that I'm deeply attached to. I hope you enjoy it!

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Finally my 2nd Calarts film is completed! It feels really great to make a more personal film this year, now that I know the ropes of filmmaking a bit better. I wanted to make something that focuses on how meaningful it is to make food for someone you love. My family's lives practically revolve around cooking for each other, so it's a theme that I'm deeply attached to. I hope you enjoy it!
⏲ 1 min 50 sec ✓ 30-Apr-2013
KELOIDnnOur first version of Keloid.nnIn a near future, man will have given birth to machines that are able to rewrite their codes, to improve themselves, and, why not, to dispense with them. This idea sounded a little bit distant to some critic voices, so an experiment was to be done: keep the AI sealed in a box from which it could not get out except by one mean: convincing a human guardian to let it out.nnCould we chess match our best creation to grant our own survival? Would man be humble e
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A woman with albinism wants revenge after a witch doctor hacks off her arm.<br/><br/><br/>WHITE GOLD is used with permission from Luke Bradford. Learn more at https://lukebradford.com.<br/><br/><br/>Mansa, a woman living with albinism in a village, set in an unnamed country in Africa. She lost one of her hands at an earlier age to the predations of a witch doctor named Natron, who mutilated her for his potions.<br/><br/>Mansa has had to live with the aftereffects of the violence, neglecting her work as a teacher and her role in the community. She is consumed with the idea of getting back at the man who treated her so inhumanely. She enlists her father to pose as a potential client to Natron, luring the witch doctor out of his home, where she can exact her revenge.<br/><br/>Written and directed by Luke Bradford, this Oscar-longlisted short thriller offers a propulsive, dynamic take on the plights of individuals with albinism in many African countries, who are believed by witch doctors to have magical properties and who hunt people with albinism down, mutilating them. It generates compelling suspense in following the plight of Mansa, who seeks revenge on the witch doctor and gets inside the headspace of someone traumatized by violence, who can't seem to shake its aftereffect.<br/><br/>The subject matter will be difficult and shocking to many, and through its energetic pace and vivid, dazzling visuals, the film offers a visceral and powerful way to enter into the issue and tap into the profound injustice of it all. We also get glimpses of the albinism community, and the way they must band together to feel accepted and safe -- and are set apart from mainstream life.<br/><br/>The narrative covers a lot of ground, needing to quickly establish the cultural context, relationships and characters. It crams a feature's worth of events into the short format, juggling many story elements, though it takes more time in a slightly slower, more internal middle section exploring Mansa's trauma and the way that resentment has twisted her emotions. <br/><br/>Actor Refilwe Modiselle's performance captures how the inhumanity she faced has scarred her, twisting her emotions into a bitter resentment and rage at what happened to her. But actor Aubrey Mmakola's performance as the witch doctor Natron captures the true horror of the plight of Mansa and others with albinism. Natron looks at Mansa in their re-encounter and sees nothing but a commodity, and the matter-of-factness of his dehumanization of her is chilling, pushing Mansa to the brink in an explosive climax.<br/><br/>It's tempting to think of the idea of mutilating people with albinism as savage, superstitious and barbaric, and not go deeper into why such practices persist in the cultures that hold these beliefs. But WHITE GOLD has a slight twist at its conclusion, one that offers some subtle commentary on why these beliefs persist. In some ways, the ending is even more disturbing than it appears at first because it demonstrates how deeply embedded such ideas are into the social fabric, and how poverty and a lack of options contribute to their endurance, despite education, morality or notions of human decency. The injustice at the heart of WHITE GOLD is clear, but the solution will be much more complicated to put in place.
⏲ 17:28 👁 1.7M
“Serial Metaphysics — a thirteen-minute experimental 16mm film which has been described as 'an examination of the American commercial lifestyle, recut entirely from existing television advertisements' — was edited by Dixon himself, on a single night, New Year’s Eve 1972, culled down from 72 hours of American TV commercials. The film is a fever dream as seen through our existing television advertisements, foreshadowing for hopeful future generations a promised future life of happiness and
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A speculative meditation on the relatively brief amount of time that human beings - a violent, dangerous and invasive species - lived on the earth, only to destroy the environment that was their home. nn'Waste' is the first film of my eco-feminist & eco-horror 'Gaia Triptych' (2016).This trilogy is intended as an altar triptych installation, but the short films may be projected individually.nnView
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Collage of rephotographed vintage film. Bizarre vaudeville 'acts'(early performance art) as poetic metaphor for mother/daughter struggle. nnIronically, modern performance art is considered
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There's no easy way to say goodbye to a friend, especially when they've supported you through your darkest times.nnMade possible by Patagonia nGenerous support from: First Descents, Ruffwear and Snow Peak nnThe end quote of the film is an excerpt from an incredible story by writer David Dudley that we highly suggest reading: 'What Our Dogs Teach us about Aging.' http://www.aarp.org/health/healthy-living/info-2014/aging-in-dogs.html [Thank you for saying it so perfectly, David] nnIn order of appe
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In a not too distant future, societies of all countries come to rely on an intricate network of artificial intelligence devices designed to bring efficacy to man's life. Yet, man continues to devour himself in useless wars. A strong political hierarchy now divides all powers into three factions, and A. I. devices rapidly gain ground as efficiency becomes a priority. nAs social revolts grow worse everyday, authorities seek ways to control their citizens. They decide to carry out a series of tests
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