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_ssasuleman.webp "Eternal Horizons\")
_andy39s-boring-job-pioneer-djm800-repair.webp "TheRasteri")
_deoxit-f-series-faderlube-rundown-video.webp "DJBooth Pro Audio")
_glances-the-song-that-makes-your-heart-vibrate.webp "Letras: Rogério S. de Oliveira<br/>Arte gráfica: Rogério S. de Oliveira<br/>Edição: Rogério S. de Oliveira<br/>Desenvolvimento e criação: Rogério S. de Oliveira<br/>Músicas criadas pela IA <br/>3007RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Glances<br/><br/>At the party, the dance begins<br/>The atmosphere is pure energy, without fear<br/>We leave behind what doesn't feel right<br/>In this frequency, only love and joy<br/>Glances cross, smiles appear<br/>Your beautiful mouth is all I desire<br/><br/>Deep into the night, we find each other<br/>Among neon lights, passion unleashes<br/>Soft touch, your hair in my fingers<br/>I feel the energy, in such a beautiful moment<br/><br/>The music rises, hearts vibrate<br/>Your body close to mine, perfect harmony<br/>This night is ours, nothing else matters<br/><br/>And when the night comes to an end<br/>We still dance, never wanting to stop<br/>In the sparkle of your eyes, I see my place<br/>A feeling that is born, never to fade<br/>Let's live, without looking back<br/><br/>At this party, our love is made<br/>With glances and smiles, in full harmony<br/>Every night together, pure magic indeed")
_this-video-got-demonetized-how-to-get-juicy-w-a-p.webp "Caitlin V")
_over-2000-feared-buried-in-papua-new-guinea-landslide.webp "Hopes of finding further survivors from Fridays’ devastating #landslide in Papua New Guinea are fading. <br/>The authorities say up to two thousand people could be buried under the rocks and mud that engulfed their homes. <br/>Villagers in the remote #Enga province have been forced to use spades and their bare hands to shift the debris.<br/>#PapuaNewGuinea")
_lost-without-you-new-english-song.webp "Lost Without You ( New English Song )<br/>Lyrics<br/>**Verse 1:**<br/>I walk these empty streets, under the pale moonlight,<br/>Echoes of our memories haunt me every night.<br/>Your laughter used to fill the air, now there's just silence here,<br/>I reach for you in my dreams, but you’re no longer near.<br/><br/>**Chorus:**<br/>And I’m lost without you, drifting like a leaf in the wind,<br/>Searching for the pieces of us that I can’t find again.<br/>Every step I take feels heavier than the last,<br/>I’m drowning in the sorrow of our past.<br/><br/>**Verse 2:**<br/>I see your face in every crowd, but it’s just my mind,<br/>Playing cruel tricks on me, leaving me behind.<br/>The stars that once shone bright, now dimmed by my tears,<br/>The future’s just a shadow, of our shattered years.<br/><br/>**Chorus:**<br/>And I’m lost without you, drifting like a leaf in the wind,<br/>Searching for the pieces of us that I can’t find again.<br/>Every step I take feels heavier than the last,<br/>I’m drowning in the sorrow of our past.<br/><br/>**Bridge:**<br/>I keep your letters in a drawer, tucked away from sight,<br/>Reading your words in the dark, they used to feel so right.<br/>But now they’re just reminders, of what will never be,<br/>A love that slipped through fingers, like sand into the sea.<br/><br/>**Chorus:**<br/>And I’m lost without you, drifting like a leaf in the wind,<br/>Searching for the pieces of us that I can’t find again.<br/>Every step I take feels heavier than the last,<br/>I’m drowning in the sorrow of our past.<br/><br/>**Outro:**<br/>So I’ll walk these empty streets, under the pale moon’s glow,<br/>Holding onto fragments, of a love I’ll never know.<br/>And though the nights are endless, and the pain won’t fade away,<br/>I’ll keep on moving forward, to face another day.<br/>gangster city,gangstercity,gangster,city,gangster city record label,gangster city release,g-house,deep house,house music,car music,car bass,bass,slap house,car bass,bass boosted,tik tok remix,danza kuduro,danza kuduro remix,don omar,don omar remix,don omar - danza kuduro,sean paul")
_twenty-four-hours-from-tulse-hill-by-guy-meredith-and-zalie-burrow-bbc-radio-drama.webp "Twenty Four Hours From Tulse Hill by Guy Meredith and Zalie Burrow was broadcast in 2018. Story: A romantic comedy set in an estate agent in North London. Would-be writer Mark and artist Lisa work alongside each other, but both are yearning for a more rewarding life. Their boss comes up with an exciting challenge that could earn them a lot of money and increase their chances of leaving, but it is conditional on making one big sale. Their prospective client seems wealthy enough and all seems to go well - but a hitch sees their dream fading. Cast: Mark - John Heffernan Lisa - Catriona Stewart Myles - Nicholas Le Prevost Bartleman - Philip Jackson Nic - Ricky Norwood Selena - Rachel Atkins Director - Cherry Cookson<br/><br/>Do you enjoy the variety on Oldtuberadio?<br/>Like, Share and Subscribe to be notified of our new shows<br/>#radio #crime #thriller #drama<br/>To Support this channel please visit<br/>https://www.buymeacoffee.com/oldtuberadio<br/>https://ko-fi.com/oldtuberadio98<br/>https://www.patreon.com/oldtuberadio<br/>https://locals.com/Oldtuberadio")
_my-cousin-rachel-124-bbc-mini-series-1983-episode-04.webp "#mycousinrachel#watchtvhttps://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ<br/>After Cousin Rachel's unexpected visit to the Ashley estate, Philip's initial hostility starts to fade, and he becomes increasingly fond of her. He grants her a generous allowance from the estate and urges her to stay permanently.<br/>Starring:<br/>Geraldine Chaplin as Contessa Rachel Sangalletti<br/>Christopher Guard as Philip Ashley<br/>Charles Kay as Rainaldi<br/>Amanda Kirby as Louise Kendall<br/>Bert Parnaby as Seecombe<br/>John Shrapnel as Ambrose Ashley<br/>John Stratton as Nick Kendall<br/>Keith Marsh as Rev. Pascoe<br/>Michael Mellinger as Giuseppe<br/>John Bryans as Mr. Couch<br/>Esmond Knight as Sam Bates")
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
_pleasure-vs-happiness-vs-joy-1.webp "The video discusses the differences between pleasure, happiness, and joy as emotions. It compares pleasure to dopamine, happiness to serotonin, and joy as an enduring emotion that remains even after happiness fades. The speaker emphasizes that joy is a deeper and more lasting emotion compared to pleasure and happiness, which are more fleeting and personal or shared experiences. Overall, the message conveys the idea that joy is a more profound and long-lasting emotion that transcends temporary feelings of pleasure and happiness. #vizard")
_betrayal-of-legal-principles-and-public-trust.webp "Betrayal of Legal Principles and Public Trust <br/> @TheFposte<br/>____________<br/><br/>Subscribe to the Fposte YouTube channel now: https://www.youtube.com/@TheFposte<br/><br/>For more Fposte content:<br/><br/>TikTok: https://www.tiktok.com/@thefposte_<br/>Instagram: https://www.instagram.com/thefposte/<br/><br/>#thefposte #usa #justice #trump")
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