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![Mutant League is an animated series based on the video games Mutant League Football and Mutant League Hockey which aired from July 2, 1994 to February 24, 1996.[1] The show ran for two seasons, with the second typically incorporating more poignant stories and issues, while the first seemed somewhat hodgepodge with little regard for continuity (the Monsters have one win streak that ends twice, for instance). There are forty episodes in all, thirteen in Season 1 and twenty-seven in Season 2.[2] The series was distributed by Claster Television and produced by Franklin/Waterman 2 Productions in association with Electronic Arts.<br/><br/>During a football game, an earthquake reveals buried toxic waste, and the fumes cause all of the attendees and players to mutate, including young Bones Justice (Bones Jackson in the games). A sports federation based around the superhuman beings, the Mutant League, is formed and Bones grows up to play for the Midway Monsters. Corrupt league commissioner Zalgor Prigg constantly schemes to get the popular athlete to play for any one of the four teams he owns (Slayers, Evils, Derangers or Ooze), or if nothing else discredit him for refusing to join. Bones' search for his father and his personal quest to bring order to the league, are subplots throughout the series. Several other characters from the games such as Razor Kidd, Mo and Spew, K.T. Slayer, Grim McSlam and Coach McWimple regularly appear in the show.<br/><br/>Unlike the games, players did not die from their unique approach to contact sports; though frequently maimed to the point of losing body parts, through treatments in a machine called the Rejuvenator which bathed them in toxic chemicals, they would soon be as returned to health. The show also has no robot players (except in one episode where K.T. Slayer was benched by robotic clones of himself) and only five teams; the Monsters, the Slayers, the Ooze, the Derangers and the Screaming Evils. It also has the teams competing in all manner of sports, not just the ones seen in the games. Most commonly Football, but also hockey, basketball, soccer, baseball, volleyball and even monster truck races and sumo wrestling. As with the video games, all of these sports were modified with deathtraps and loose rules on violence to accommodate the near-indestructible nature of the players. Some episodes end with a \](https://cdn1.mypornvid.fun/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KA_A3FGSwA0ymJv0gYIq5Gl9-ZwDjXFfbXR15HT9loyMcMP5zqJ-cK3tlAQN5v7P/(MyPornVid.fun)_mutant-league-1994-s1-e2-124-head-of-the-coach.webp "Mutant League is an animated series based on the video games Mutant League Football and Mutant League Hockey which aired from July 2, 1994 to February 24, 1996.[1] The show ran for two seasons, with the second typically incorporating more poignant stories and issues, while the first seemed somewhat hodgepodge with little regard for continuity (the Monsters have one win streak that ends twice, for instance). There are forty episodes in all, thirteen in Season 1 and twenty-seven in Season 2.[2] The series was distributed by Claster Television and produced by Franklin/Waterman 2 Productions in association with Electronic Arts.<br/><br/>During a football game, an earthquake reveals buried toxic waste, and the fumes cause all of the attendees and players to mutate, including young Bones Justice (Bones Jackson in the games). A sports federation based around the superhuman beings, the Mutant League, is formed and Bones grows up to play for the Midway Monsters. Corrupt league commissioner Zalgor Prigg constantly schemes to get the popular athlete to play for any one of the four teams he owns (Slayers, Evils, Derangers or Ooze), or if nothing else discredit him for refusing to join. Bones' search for his father and his personal quest to bring order to the league, are subplots throughout the series. Several other characters from the games such as Razor Kidd, Mo and Spew, K.T. Slayer, Grim McSlam and Coach McWimple regularly appear in the show.<br/><br/>Unlike the games, players did not die from their unique approach to contact sports; though frequently maimed to the point of losing body parts, through treatments in a machine called the Rejuvenator which bathed them in toxic chemicals, they would soon be as returned to health. The show also has no robot players (except in one episode where K.T. Slayer was benched by robotic clones of himself) and only five teams; the Monsters, the Slayers, the Ooze, the Derangers and the Screaming Evils. It also has the teams competing in all manner of sports, not just the ones seen in the games. Most commonly Football, but also hockey, basketball, soccer, baseball, volleyball and even monster truck races and sumo wrestling. As with the video games, all of these sports were modified with deathtraps and loose rules on violence to accommodate the near-indestructible nature of the players. Some episodes end with a \")
_ulysses-31-1981-s1-e3-124-the-black-sphere.webp "Ulysses 31 (Japanese: 宇宙伝説ユリシーズ31サーティーワン, Hepburn: Uchū Densetsu Yurishīzu Sātīwan, lit. \")
_zildjian-2092.webp "I love cymbals especially the odd hard to get ones like this Zildjian EAK Jazz Ride although to me it does sound more like a modern day crash than a vintage ride.<br/><br/>Hopefully I will be \")
_yamaha-steve-gadd-1492.webp "I bought this very rare but heavily beaten and neglected GADD Birch 14\")
_vinnie-colaiuta-gretsch-1492.webp "After a long wait I finally landed a Vinnie Gretsch signature snare, I was at NAMM at the time of release so yes, took me long enough. <br/><br/>0:00 Intro and comic relief.<br/>0:32 Introduction and Drum Description<br/>2:40 Low Tuning<br/>3:26 Low Tuning - EQ Pod<br/>4:11 Cross Stick<br/>5:06 Medium Tuning<br/>5:26 Medium Tuning - EQ Pod<br/>6:37 High Tuning<br/>7:22 High Tuning - EQ Pod<br/>8:06 Conclusion and outro.<br/><br/>Remember to buy a shirt and help keep this channel alive.<br/>https://teespring.com/stores/i-am-drummer-merch-store<br/><br/>Instagram:<br/>https://www.instagram.com/i.am.drummer/<br/><br/>Facebook:<br/>https://www.facebook.com/iamdrummeraus<br/><br/>Hi Hats:<br/>Zildjian 16\")
_yamaha-kozo-fpr-snare-drum-review.webp "So this is a plastic snare drum reinforced with glass fibre and played by Kozo before he passed, pretty special drum if you ask me.<br/><br/>0:00 Intro and comic relief.<br/>0:19 Introduction and Drum Description<br/>3:10 Low Tuning<br/>3:55 Low Tuning - EQ Pod<br/>4:37 Cross Stick<br/>5:28 Medium Tuning<br/>6:12 Medium Tuning - EQ Pod<br/>6:54 High Tuning<br/>7:38 High Tuning - EQ Pod<br/>8:19 Conclusion and outro.<br/><br/>Remember to buy a shirt and help keep this channel alive.<br/>https://teespring.com/stores/i-am-drummer-merch-store<br/><br/>Instagram:<br/>https://www.instagram.com/i.am.drummer/<br/><br/>Facebook:<br/>https://www.facebook.com/iamdrummeraus<br/><br/>Hi Hats:<br/>Zildjian 14\")
_mao-atrocity-exhibition-2020-full-album.webp "MAO - Atrocity Exhibition (2020) Full Album Producer: Fabrizio Federico<br/>01 - Atrocity Exhibition (intro) 0:00 <br/>02 - Donovan's Brain 2:00 <br/>03 - Sky Eyes 6:10 <br/>04 - Go Ask Alice 10:56 <br/>05 - The Assassination Of Amanda Knox 18:50 <br/>06 - Crushed 21:29 <br/>07 - REDRUM 25:28 <br/>08 - Crayon Pictures of UFOs 28:09 <br/>09 - Xmas In China 32:40 <br/>10 - U Aint Getting No Love 34:59 <br/>11 - Wrong's (Anthem to Rock Stardom) 37:39<br/><br/><br/><br/>")
_ulysses-31-1981-s1-e9-124-secret-of-the-sphinx.webp "Ulysses 31 (Japanese: 宇宙伝説ユリシーズ31サーティーワン, Hepburn: Uchū Densetsu Yurishīzu Sātīwan, lit. \")
_too-bad-so-sad-with-39raw-sugar39-intro-metric-live.webp "Metric - At The Fillmore<br/>At The Fillmore Silver Spring, Silver Spring, MD, USA <br/>March 13, 2016 / The \")
_ulysses-31-1981-s1-e1-124-vengeance-of-the-gods.webp "Ulysses 31 (Japanese: 宇宙伝説ユリシーズ31サーティーワン, Hepburn: Uchū Densetsu Yurishīzu Sātīwan, lit. \")
_intro-risks-sould-children-love-nature.webp "<p>Between the ages of two and ten, children discover the world by experiencing it, moving around, and asking questions about it; they first explore the present and then develop a notion of time. By taking risks – the risk of falling but also sensory and emotional risks – they start to understand our world better. They are fascinated by the world of adults and its rules, and by natural phenomena. Faced with a more or less present nature, they build a relationship with the living world by observing nature, to the extent that it exists. They are constantly on the move, restricted or unrestricted depending on the places they visit, and they gradually coordinate their bodies with the spaces and life around them. Their words and their needs have been the subject of close study in recent decades, including in our own cultural spaces.The first day of the symposium will look at children from various perspectives and ask how they fit into the museums and science centres of the future.<br/> </p><p>Intro, Bruno Maquart</p><p>Risk, David Le Breton</p>SHOULD CHILDREN LOVE NATURE?<p>Discussions around the conservation of biodiversity inevitably lead to the same conclusion: children need to be brought into contact with nature to encourage them to conserve it. But does spending time outdoors really encourage us to care more about the environment? Professionals from various backgrounds suggest ways of getting children out and about to strengthen their relationship with living things.</p><p><br/>With:</p><p>Benoît Sicat, interdisciplinary artist<br/>Benoît Sicat’s work focuses primarily on gardens and landscapes and explores the possible interaction between very young children and adults. His immersive landscape performances are driven largely by group improvisation. He planted a micro forest for a school at the end of 2021.</p><p>Lauren Hyams,Head of Urban Nature Programme, Natural History Museum London.<br/>Lauren is Head of Activities for the Urban Nature Programme, working to transform the Natural History Museum’s outdoor space into an exemplar of urban wildlife research, conservation and awareness. Leading a coalition of museums and wildlife organisations, the UNP will create an urban nature movement through a UK-wide learning programme for young people, families and schools.</p><p>Julien Vitores, Doctoral student in sociology at the Université Fédérale Toulouse Midi-Pyrénées and ATER at the Université Sorbonne Paris Nord; Affiliated laboratories: LASSP (EA 4175) and CESSP (UMR 8209).<br/>Julien Vitores specialises in the socialisation of young children (aged 3-6) with nature. His work examines the social conditions conducive to certain forms of interest in nature, with a focus on the social relations (primarily class and gender) in which children are engaged.</p><p> </p>")
_new-intro.webp "New Intro from ispy intro cartoon")
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