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_ontario-three-indians-including-an-infant-among-four-victims-of-canada-traffic-crash-124oneindia-news.webp "Two Indian nationals and their 3-month-old grandchild are among the four victims of a devastating traffic crash in Whitby, Ontario. The incident, stemming from a police pursuit, resulted in a multi-vehicle collision involving six vehicles. Stay tuned for the latest updates on this heartbreaking tragedy. <br/> <br/>#Canada #CanadaTrafficCrash #Ontario #CanadaTraffic #JustinTrudeau #IndiansinCanada #IndiaCanadaRelations #Oneindia<br/>~PR.274~ED.101~GR.124~HT.318~")
Ontario: Three Indians Including An Infant Among Four Victims Of Canada Traffic Crash |Oneindia News
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_fuck-you-outside.webp "Fuck Boy87 엿 같은 소년87")
_indian-couple-builds-hut-at-valley-and-gets-freaky-inside-tent-in-public.webp "Master Sensei")
_housefull-4-full-hd-movie---action-amp-comedy---akshay-kumar-kriti-sanon.webp "Three couples who get separated from each other due to an evil ploy, reincarnate after 600 years and meet each other as history repeats itself again and their respective partners get mixed up this time.<br/><br/>In 1419 Sitamgarh, three couples are parted because of an evil conspiracy. 600 years later, in 2019 London, the couples' reincarnations meet up, but this time each one is marrying the wrong person. How each comes to discover which one is his or her true love is what forms the crux of the story.<br/>Housefull 4 is a 2019 Indian Hindi-language fantasy action comedy film directed by Farhad Samji and produced by Nadiadwala Grandson Entertainment and Fox Star Studios. The film is the fourth installment of Housefull Franchise, and stars a cast of Akshay Kumar, Riteish Deshmukh, Bobby Deol, Kriti Sanon, Pooja Hegde and Kriti Kharbanda in the lead roles. The plot deals with reincarnation. Three brothers are set to marry three sisters. However, a peek into the distant past reveals to one of the brothers that their brides have been mixed up in their current reincarnation.<br/><br/>The film was half directed by Sajid Khan, who had also directed the first two installments, but was replaced by Farhad Samji midway during the shooting due to Me Too allegations. Nadiadwala claimed the film to be the highest-budgeted Indian comedy film")
_caught-on-tape-in-the-club-part-1-da-product-dvd.webp "shane bammer")
_sex-cravings-with-breasts-loud-sex-sounds.webp "HKS 808")
_39i39-full-movie-4k---chiyaan-vikram-amy-jackson---shankar---action-amp-love-story.webp "I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which")
_hot-indian-brand-new-outdoor-scandal-hyd.webp "venkat laki")
_outdoor-just-a-couple-personal.webp "Eddy Be")
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.webp "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
_outdoor-sex-part-1.webp "Slobodan Alavanja")
_fuck-cache-me-outside-girl.webp "Tyrek Sophus")
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